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Devils and angels : television, ideology and the coverage of poverty / Eoin Devereux
| Devils and angels : television, ideology and the coverage of poverty / Eoin Devereux |
| Autore | DEVEREUX, Eoin |
| Pubbl/distr/stampa | Luton : University of Luton, copyr. 1998 |
| Descrizione fisica | VII, 174 p. ; 24 cm |
| Disciplina | 302.23417 |
| Soggetto topico |
Poveri - Irlanda
Trasmissioni televise - Aspetti sociali - Irlanda |
| ISBN | 1-86020-545-3 |
| Formato | Materiale a stampa  |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Record Nr. | UNISA-990000319340203316 |
DEVEREUX, Eoin
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| Luton : University of Luton, copyr. 1998 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. di Salerno | ||
| ||
Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| Soggetto genere / forma | Electronic books. |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910461476603321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910789755403321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||
Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power
| Morrissey [[electronic resource] ] : fandom, representations and identities / / edited by Eoin Devereux, Aileen Dillane and Martin J. Power |
| Pubbl/distr/stampa | Bristol, : Intellect, 2011 |
| Descrizione fisica | 1 online resource (346 p.) |
| Disciplina |
782.4216
782.42164092 |
| Altri autori (Persone) |
DevereuxEoin
DillaneAileen PowerMartin J |
| Soggetto topico |
Singers - Great Britain
Fans (Persons) |
| ISBN |
1-283-26508-7
9786613265081 1-84150-580-3 |
| Formato | Materiale a stampa |
| Livello bibliografico | Monografia |
| Lingua di pubblicazione | eng |
| Nota di contenuto |
FrontCover; Half-Title; Title; Copyright; Contents; Acknowledgements; Preface; Introduction: But Don't Forget the Songs that Made You Cry and the Songs that Saved Your Life ...; Chapter 1: 'Suedehead': Paving the Pilgrimage Path to Morrissey's and Dean's Fairmount, Indiana; Chapter 2: ""The Seaside Town that They Forgot to Bomb"": Morrissey and Betjeman on Urban Regeneration and British Identity; Chapter 3: In the Spirit of '69? Morrissey and the Skinhead Cult; Chapter 4: Fanatics, Apostles and NMEs
Chapter 5: The ""Teenage Dad"" and ""Slum Mums"" are Just ""Certain People I Know"": Counter Hegemonic Representations of the Working/Underclass in the Works of MorrisseyChapter 6: In Our DiHerent Ways We are the Same: Morrissey and Representations of Disability; Chapter 7: ""My So Friendly Lens"": Morrissey as Mediated through His Public Image; Chapter 8: ""Because I've only got Two Hands"": Western Art Undercurrents in the Poses and Gestures of Morrissey; Chapter 9: Moz: art: Adorno Meets Morrissey in the Cultural Divisions Chapter 10: Speedway for Beginners: Morrissey, Martyrdom and AmbiguityChapter 11: No Love in Modern Life: Matters of Performance and Production in a Morrissey Song; Chapter 12: 'Vicar In A Tutu': Dialogism, Iconicity and the Carnivalesque in Morrissey; Chapter 13: Smiths Night: A Dream World Created Through Other People's Music; Chapter 14: Talent Borrows, Genius Steals: Morrissey and the Art of Appropriation; Chapter 15: 'I'm Not The Man You Think I Am': Morrissey's Negotiation of Dominant Gender and Sexuality Codes Chapter 16: Melodramatic Morrissey: Kill Uncle, Cavell and the Question of the Human VoiceChapter 17: 'You Have Killed Me' - Tropes of Hyperbole and Sentimentality in Morrissey's Musical Expression; Notes on Contributors; Index; BackCover |
| Record Nr. | UNINA-9910819593003321 |
| Bristol, : Intellect, 2011 | ||
| Materiale a stampa | ||
| Lo trovi qui: Univ. Federico II | ||
| ||